Getting Started
Day-to-Day Workflow Overview
π Day-to-Day Workflow Overview
How Projects Flow from Brief to Sync
At Astronic Media, our sync work follows a flexible but structured flow. Each team member plays a role in keeping briefs organized, artist-ready, and client-satisfying. Whether weβre responding to a fast-turnaround ad request or building out long-term catalogue opportunities, our workflow stays consistent.
πͺ The Typical Sync Workflow
1. Incoming Brief or Opportunity
Client, agency, or music supervisor sends a brief
Project is added to Monday.com and shared in Discord
Relevant team members are assigned (Creative, Ops, Music, etc.)
2. Brief Analysis & Strategy
Creative Director or Sync Curator reviews the tone, timing, and creative needs
Team discusses direction: pull from catalogue, request custom, or both
Notes and references are posted in Discord
3. Music Selection & Pitch Folder Curation
Music Department Manager and Sync Curators select tracks via DISCO
Tracks are tagged, trimmed, and arranged into pitch folders
Metadata and rights status are verified
Pitch folder is reviewed internally and shared with the client
4. Custom Track Creation (if applicable)
Brief is sent to in-house composers or external collaborators
Director of the Astronic Production Team oversees production
Ops Coordinator tracks progress and delivery deadlines
Final tracks are mixed, labeled, stemmed, and delivered via DISCO
5. Client Feedback & Revisions
Client may request alt versions, adjustments, or new options
Team revises and updates pitch folders or coordinates new productions
Ongoing communication managed by CEO / Client Lead
6. Sync Confirmation & Licensing
Once a track is selected, licensing terms are handled by the CEO and Licensing Coordinator
All necessary documents (cue sheets, invoices, contracts) are prepared
Assets (WAVs, stems, instrumentals) are finalized and delivered
7. Follow-Up & Archiving
Sync win is documented and celebrated π
Project folder is archived in Google Drive
Tracks used are tagged accordingly for future reference
Team may debrief on what worked and what could be improved
π§© Where You Might Plug In
If you're a... | You'll likely work on... |
---|---|
Music Department Manager | Curation, tagging, metadata, catalogue development |
Ops Coordinator | Workflow tracking, asset management, internal communications |
Director, Astronic Production | Overseeing custom track creation and composer coordination |
CEO / Manager | Client calls, approvals, licensing terms, final sign-offs |
Any team member | Contributing ideas, catching details, staying in sync on Monday/Discord |
π Project Timelines
Ad & Trailer Briefs: 24β72 hours
TV/Film Requests: 3β10 days
Custom Scoring: Varies by scope (usually 1β2 weeks)
Pitch Prep for Catalogue: Ongoing, weekly cycles
Clarity, communication, and creativity are key. If something feels unclear or you're unsure of your next step β speak up. Sync thrives on collaboration.
Any other questions? Get in touch